"Mummers' Fool" by Morris Cox
FORWARDTHE Fool of the traditional Morris Dance,
Sword Dance and Folk Play still found in
parts of England & on the Continent, was
not always a fool. It could well have been
because earlier beliefs were driven under-
ground that he thought fit to dress and be-
have as he did. Thus by appearing to make
fun of what he held sacred, supported by
characters who often disguised not only
their faces but their real names and funct-
ions, something of his message was able
magically to survive. Not that the modern
Morris Fool is necessarily aware of this
interpretation or that he would accept it
if he were.
The Morris/Sword Dance & Mummers'
Play of Today offer simply a spectacle of
dance skill with comic relief, and comic
drama. The former differs from true folk
dancing though it may now be regarded as
such. Both are relics of pagan ritual con-
cerned with fertility and the continuity of
the seasons.
Information on all this is readily acces-
sible. The poem which follows, with its
setting, is an attempt to recapture imagin-
atively something of the subjective exper-
ience of an original ""serious Fool"", or pag-
an officiant, as he passed through the var-
ious stages of the rite which involved his
""death"" and ""resurrection"".
HIS DEATHHAVING died, swung outside in,
I walked the bonehouse of our sin.
From tip of toe to knoll of skull,
delving the clay among old steeps,
my brainpan moaned, my legbones whistled,
whines came wailing over tholing hollows:
roots were hard against my feet.
I stumbled, scrambled over bonerings,
over kneeknob, over shin,
slid the lank of rick and ricket,
trod the link of broken fingers,
ran with maggots in the marrow
and smelt the mouldy rug of hair.
I clambered, hobbled, reft and riven,
cracked with rack of rib and riddle,
clinging tittering on the roof
where, in a blab and wraithly gibbering,
gusty litter crucked and crumbled,
duffed and muffled in the hearded dust!
HIS BURIALThere I hung between earth and heaven,
lifting, floating in the sullen mood,
hidden in a maze and dizzy wombing,
poked and wary, toom and gidden,
under the wind where the weave is,
so slim a lie down under slum,
so soft a wriggle, a little welter
of whipple and heave, a little whelm,
flimsy in a film of fine foam
rocking, soft rolling, so blissfully sleeping,
dreaming the doom and whying the when
in winkle curl, in whelken screw!
before the gristle, before the frame is,
freighting and wriggling in the swoom
of water - seep and slimy whirling
that wash and dree their wanion tide:
where I felt the stir between wench & wink,
when in the dark flood an eye opened
and red lips lifted and a mouth gupped
and teeth gleamed in the floory mere:
where I felt the sweve between stream & strumpet
where lulled the wildness of thwarted hunger,
in lovely sweetness between wist and weeping
that sighed and sucked their wash of sleep:
where I felt the leap of want and wanton
that took to madness in the tail,
that thrust and stung and stirred the mudlift
and filled the mouth with mick and dung:
where I, the bagget, fleamed the wombworld,
fishing the flow of needy flesh,
while wistfully wrapped my poor wraith wept
through-wind-laced at the door, waiting!
HIS NEW BEINGTHEN behold! I knew Being & understood Body:
I knew Body and understood Bearing.
I knew Bearing and understood Bending.
Something on end is the beginning of a Bend!
I stood firm, strung as a bow,
and knew my Bent since I knew my Bond.
The longlasting of a Bond is a Band.
the wholeness of a Band is a Bond.
the fullness of a Bond is a Bundle.
I knew my Bundle when I found my Bent!
Thus by knowing Bending I found Bearing,
by knowing Bearing I found Body,
and by knowing Body I found Being.
HIS NEW BIRTHMY mother wept as she sat on her chair.
""He died an old man with hoary hair!""
My mother sobbed as she lay on her bed.
""I quicken anew with a man that was dead!""
My mother screamed as she heaved on the floor.
""I bring forth a bairn that was buried before!""
HIS NEW COATAND now my coat, my pretty green coat,
look how well my pretty coat fits!
over goosepimples where the cold creeps
furling a noselength over the fold,
slinking over skin, the fell of flesh,
the ripple over ribs, the frith under bosom,
hale over belly, tight under thigh,
wave without wrinkle, sleek without slack,
over the axle of the shoulders,
over the fallow of limb and link,
high along headland, snug in the haven,
over the bladebones, down over hinterland,
over the dunes where gathering stormlings
thunder the rumpbole, threaten the boom!
HIS WORDTHOUGHT buds in the steady brood
with nod and shake of yea and nay,
for truly the Name is under the nose
with ""snip, snap, snout"" to tell it out!
In brotherhood of lung and lip
the breath blows and the liss comes,
lifting the lief and laden wind,
the warm wind and the lew-warm
through the leet and through the throatball,
along the tongue, against the teeth,
hale and hollow in the mouth,
to lilt the song-speech from our lips!
Alas! that ill should come of this.
The endless wordstream of this world
so gabbles and yells about our ears
the One is split and split again,
thralled and bawded, withered & weakened-
since men are taught and men are threatened,
their skullpans crammed with cribs and bits
to feed the chatter of their jaws!
But blessed is he that spells the Whole,
whose word comes runely out of the deeps:
and blessed is he that spells the All,
his word comes loving out of the light.
Who knows the spell that builds or shatters,
rathes or withers, heals or kills,
he wimbles the midst of wit and wed
and taps the truth of nave and knowing!
HIS GOING FORTHAnd now we dance another year
and tread the life we hold most dear.
I go under gold with its silver twin
looking for a door that will let me in:
a rain of light in a moated flood
with an iron quick that will heal the blood:
a neb, a lift, a sweet lissing,
a dearling maid that is sweet for kissing.
It may be late or it may be soon,
I shall lay me down in the midst of the moon:
as I cut off a finger and kindle a son
my God bless the bed that I lie on!